{"id":170,"date":"2025-01-23T15:30:46","date_gmt":"2025-01-23T15:30:46","guid":{"rendered":"https:\/\/site.itshrt.com\/hiphopmagizine\/the-30-best-xxxtentacion-songs-ranked\/"},"modified":"2025-01-23T15:30:46","modified_gmt":"2025-01-23T15:30:46","slug":"the-30-best-xxxtentacion-songs-ranked","status":"publish","type":"post","link":"https:\/\/site.itshrt.com\/hiphopmagizine\/the-30-best-xxxtentacion-songs-ranked\/","title":{"rendered":"The 30 Best XXXTentacion Songs, Ranked"},"content":{"rendered":"<p> <script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6606220950177433\"\r\n     crossorigin=\"anonymous\"><\/script>\r\n<!-- ItShrt Hip Hop Magizine News -->\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:block\"\r\n     data-ad-client=\"ca-pub-6606220950177433\"\r\n     data-ad-slot=\"9431463036\"\r\n     data-ad-format=\"auto\"\r\n     data-full-width-responsive=\"true\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script><br \/>\n<\/p>\n<div>\n<p>At the time of his <a href=\"https:\/\/www.xxlmag.com\/xxxtentacion-dead-at-20\/\">tragic death<\/a> on June 18, 2018, <a href=\"https:\/\/www.xxlmag.com\/tags\/xxxtentacion\/\">XXXTentacion<\/a> was already on the road to\u00a0becoming a certified superstar.<\/p>\n<p>With malleable vocals, a penchant for experimentation and an undeniably punk aesthetic, the rapper earned a legion of fans before he even turned 20. A listen to his discography might make the term &#8220;rapper&#8221; seem just a bit limiting for an artist who probably liked\u00a0<a href=\"https:\/\/thefray.com\" target=\"_blank\">The Fray<\/a> as\u00a0much as he liked <a href=\"https:\/\/www.xxlmag.com\/tags\/lil-wayne\/\" target=\"_blank\">Lil Wayne<\/a>.<\/p>\n<p>&#8220;People still use the term &#8216;rapper&#8217; when they&#8217;re talking about X, and I just think that&#8217;s outdated &#8217;cause obviously he&#8217;s so much more than that,&#8221; <a href=\"https:\/\/www.xxlmag.com\/news\/2018\/04\/xxxtentacion-john-cunningham-question-mark-album-interview\/\">X&#8217;s producer John Cunningham told <em>XXL<\/em> <\/a>when speaking about the making of X&#8217;s <em>?<\/em> album in 2018. &#8220;I feel like for us, the only time genre comes up is talking about good and bad. You know, it really doesn&#8217;t matter.&#8221;<\/p>\n<p>X flaunted his genre-fluid stylings across several EPs, two albums and a few compilation projects. On <a href=\"https:\/\/www.xxlmag.com\/news\/2017\/02\/xxxtentacion-look-at-me-billboard-hot-100\/\">&#8220;Look at Me!,&#8221; <\/a>he attacks a spastic beat and renders lo-fi trap in all of its unpolished glory. Meanwhile, the acoustic &#8220;Revenge&#8221; sounds more like a Modest Mouse deep cut than a new single from a South Florida SoundCloud rapper.<\/p>\n<p>Through that versatility, X was able to channel feelings like rage, depression and more in whatever musical medium works best for the occasion. For a song like &#8220;Save Me,&#8221; X tackles sparse guitar as he belts out a desperate cry for help. The lack of hard percussion or a pulsating beat gives space for his words to sink in and his voice to linger. On the other hand, there&#8217;s the emo-leaning, teen pop tune &#8220;Sad!,&#8221; which lets X weave in numbness in a song that&#8217;s essentially about suicide and broken love.<\/p>\n<p>Today, on what would have been X&#8217;s 27th birthday, <em>XXL<\/em> takes a look at all of his many styles to rank his 30 best songs. Check out the full spectrum of X releases for yourself below.<\/p>\n<h4>Read More: <a href=\"https:\/\/www.xxlmag.com\/xxxtentacion-best-deep-cuts-songs\/\">Here Are 23 of XXXTentacion&#8217;s Best Deep Cuts<\/a><\/h4>\n<div class=\"list-post standard media-bottomx\">\n<ul>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">30<\/span><\/p>\n<header>\n<h2>&#8220;H20&#8221; (Featuring Ski Mask The Slump God)<\/h2>\n<p><small\/><\/header>\n<article>\n<p>Teenage antics from X and Ski. &#8220;H20&#8221; has a playful multi-part chorus and hyper-speed flows from both Members Only rappers. It&#8217;s probably best enjoyed live, as its energetic beat\u00a0and jumpy deliveries are meant for shouting more than anything else.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">29<\/span><\/p>\n<header>\n<h2>&#8220;Depression &amp; Obsession&#8221;<\/h2>\n<p><small><i>17<\/i><\/small><\/header>\n<article>\n<p>For a song called &#8220;Depression &amp; Obsession,&#8221; X sounds mighty casual as he hums over supple strings and reflects on toxic romance. &#8220;I ate her, inside and out, I feel my stomach turnin&#8217;,&#8221; he sings on a song where he once again sounds all too comfortable with his own pain.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">28<\/span><\/p>\n<header>\n<h2>&#8220;What in XXXTarnation&#8221; (Featuring Ski Mask The Slump God)<\/h2>\n<p><small\/><\/header>\n<article>\n<p>One thing about X and Ski Mask collabs is that you can tell they always have a good time. On &#8220;What in XXXTarnation,&#8221; the two deliver threats even as they use over-the-top animated deliveries. The track feels a lot like the rap version of a fart joke, which was very much in X&#8217;s wheelhouse when he wanted to let loose. Ski Mask&#8217;s signature &#8220;Water&#8221; adlibs are also a nice touch.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">27<\/span><\/p>\n<header>\n<h2>&#8220;Off the Wall!&#8221; (Featuring Ski Mask The Slump God)<\/h2>\n<p><small><i>XXXTentacion Presents: Members Only, Vol. 3<\/i><\/small><\/header>\n<article>\n<p>XXX and Ski Mask showcase their status as two of South Florida&#8217;s most rowdy rascals on the ultra zany &#8220;Off the Wall!&#8221; X&#8217;s collabs with Ski Mask The Slump God\u00a0tend to include rapid-fire flows and animated deliveries from the two rappers;\u00a0this is one of the more entertaining, even if it&#8217;s a little all over the place. A lot of times with X, it feels like that&#8217;s the point.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">26<\/span><\/p>\n<header>\n<h2>&#8220;Orlando&#8221;<\/h2>\n<p><small><i>17<\/i><\/small><\/header>\n<article>\n<p>Over solemn piano keys, X reflects on some of his darkest, loneliest moments for a somber cut from his <i>17<\/i> album. He could be referring to his July 2016 arrest for aggravated robbery and assault with a deadly weapon, but its unclear. The pain isn&#8217;t.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">25<\/span><\/p>\n<header>\n<h2>&#8220;Royalty&#8221; (Featuring Vybz Kartel, Stefflon Don and Ky-Mani Marley)<\/h2>\n<p><small><em>Bad Vibes Forever<\/em><\/small><\/header>\n<article>\n<p>X leans hard on his Jamaican roots with the posthumously released &#8220;Royalty,&#8221; a track that merges his talents with those of Vybz Kartel, Stefflon Don and Ky-Mani Marley.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">24<\/span><\/p>\n<header>\n<h2>&#8220;Whoa (Mind in Awe)&#8221;<\/h2>\n<p><small><em>Skins<\/em><\/small><\/header>\n<article>\n<p>X doesn&#8217;t say much on this one, but he delivers a sweet melody over a bed of light bells for one of the best songs from his posthumously released <em>Skins<\/em> LP.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">23<\/span><\/p>\n<header>\n<h2>&#8220;Bad!&#8221;<\/h2>\n<p><small><em>Skins<\/em><\/small><\/header>\n<article>\n<p>Much of <em>Skins<\/em> is marred by a sense of incompleteness, as it was released posthumously without the rapper&#8217;s final input. Still, X&#8217;s lithe, emotive vocals with some swirling synths go a long way to make this one perhaps his best posthumous release. The anime-inspired visual for the track is pretty dope, too.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">22<\/span><\/p>\n<header>\n<h2>&#8220;Arms Around You&#8221; (With Lil Pump, Maluma and Swae Lee)<\/h2>\n<p><small\/><\/header>\n<article>\n<p>The grouping of artists on this Latin-infused pop release from X, Lil Pump, Maluma and Swae Lee feels like a starter kit for a crossover hit. Yet it slaps, as X holds down hook duties. &#8220;Te amo, mami, let me hold you\/Got my arms right around you, girl, oi\/Good lovin&#8217;, arms all around you\/To make sure no one could harm you\/Damn, lil mami, let me have you, oi,&#8221; X croons on a song that feels like a typical Hot 100-bound single.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">21<\/span><\/p>\n<header>\n<h2>&#8220;Before I Close My Eyes&#8221;<\/h2>\n<p><small><em>?<\/em><\/small><\/header>\n<article>\n<p>For this one, X interpolates a traditional children\u2019s bedtime prayer and lays bare his fear of it already being too late. He doesn&#8217;t specify what it&#8217;s too late for, but you can hear the hope and regret in the tone of his voice.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">20<\/span><\/p>\n<header>\n<h2>&#8220;Yung Bratz&#8221;<\/h2>\n<p><small><em>Revenge<\/em><\/small><\/header>\n<article>\n<p>&#8220;Yung Bratz&#8221; is a track that, with its blown-out bass, raucous screaming and cartoonish vocal inflections, sounds exactly like its song title. The track acts as a good snapshot of X at his rawest.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">19<\/span><\/p>\n<header>\n<h2>&#8220;Alone, Part 3&#8221;<\/h2>\n<p><small><i>?<\/i><\/small><\/header>\n<article>\n<p>The third in the song series, &#8220;Alone, Part 3&#8221; is a song that deals with the perceived betrayal of an ex-lover and the pain of being in a space where you &#8220;can&#8217;t seem to find someone&#8217;s shoulder&#8221; to lean on. &#8220;I dug my nails into my arms\/She turned and laughed at all my scars,&#8221; X softly sings on a song that emits loneliness and insecurity in equal measure.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">18<\/span><\/p>\n<header>\n<h2>&#8220;Looking for a Star&#8221; <\/h2>\n<p><small><em>Revenge<\/em><\/small><\/header>\n<article>\n<p>X replaces blown-out bass and screamo with saccharine electropop for a Diplo-produced song that&#8217;s the exact opposite of &#8220;Look At Me!&#8221; If you&#8217;d only listened to a few X songs before this one, you might have a hard time believing it&#8217;s the same artist who made tracks like &#8220;Yung Bratz&#8221; or &#8220;What in XXXTarnation.&#8221; X makes a smooth transition for a song that highlights his vocal malleability and the potential to become a crossover star.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">17<\/span><\/p>\n<header>\n<h2>&#8220;Revenge&#8221;<\/h2>\n<p><small><em>Revenge<\/em><\/small><\/header>\n<article>\n<p>Fans who were new to X got a telling glimpse of his sonic versatility when he released &#8220;Revenge,&#8221; an acoustic ode to his dead friends. More folk than punk and lightyears away from anything resembling rap, the song features sullen vocals and at least a few Instagram-worthy captions: &#8220;Well broken hearts break bones, so break up fast, and I don&#8217;t wanna let it go, so in my grave i&#8217;ll rot.&#8221;<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">16<\/span><\/p>\n<header>\n<h2>&#8220;I Don\u2019t Even Speak Spanish Lol&#8221; (Featuring Judah, Carlos Andrez and Rio Santana)<\/h2>\n<p><small><em>?<\/em><\/small><\/header>\n<article>\n<p>X plays hopscotch with musical genres on his <em>?<\/em> album, jumping from alt-R&amp;B to boom-bap to rock. Yet you get the sense that even he knew &#8220;I Don&#8217;t Even Speak Spanish Lol&#8221;\u2014with its literal joke of a title\u2014was completely random. Yet his soft vocals blend with the Latin-inflected beat and make for a summer-ready tune you didn&#8217;t realize you needed from X.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">15<\/span><\/p>\n<header>\n<h2>&#8220;Going Down&#8221;<\/h2>\n<p><small><em>?<\/em><\/small><\/header>\n<article>\n<p>After <em>17<\/em>, glimpses of X&#8217;s lighthearted side felt more scarce. On &#8220;Going Down,&#8221; he revives the quirky vocal delivery he&#8217;d used with Ski Mask in the past and lets loose a few bars about thick chicks (there&#8217;s a notable Lil Yachty name-drop, too). The upbeat instrumental and a swerving hook make this one go.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">14<\/span><\/p>\n<header>\n<h2>&#8220;Pain = Bestfriend&#8221; (Featuring Travis Barker)<\/h2>\n<p><small><em>?<\/em><\/small><\/header>\n<article>\n<p>At the beginning of &#8220;Pain = Bestfriend,&#8221; a quieter, more somber X sounds like he&#8217;s surrendering to his pain as he sings over tranquil guitar strums. At the end of the track, though, Travis Barker&#8217;s drums go crazy, somber singing morphs into guttural screaming and X is bear-hugging it out with his own suffering, the one thing he&#8217;s sure will never leave him.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">13<\/span><\/p>\n<header>\n<h2>&#8220;A Ghetto Christmas Carol&#8221;<\/h2>\n<p><small><em>&#8220;A Ghetto Christmas Carol&#8221;<\/em><\/small><\/header>\n<article>\n<p>X serves up his own version of a Christmas tune with &#8220;A Ghetto Christmas Carol,&#8221; a hedonistic track that sounds more like Halloween seance than the stuff of carolers. X laces the beat with winding yelps as he belts out an ode to thick chicks, flossy whips and money. &#8220;It&#8217;s a vibe, yeah.&#8221; Indeed it is.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">12<\/span><\/p>\n<header>\n<h2>&#8220;Save Me&#8221;<\/h2>\n<p><small><em>17<\/em><\/small><\/header>\n<article>\n<p>X usually calls more for distance than a shoulder to lean on, but on &#8220;Save Me,&#8221; a track with stripped-down guitar strums and desperate vocals, he calls out from &#8220;the dark side&#8221; to see if someone will join him. &#8220;Does anybody here wanna be my friend? (My friend)\/Tell me when the fuck is it all gon\u2019 end? (End)\/Voices in my head\/Telling me I&#8217;m gonna end up dead (Dead),&#8221; X cries out.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">11<\/span><\/p>\n<header>\n<h2>&#8220;Numb&#8221;<\/h2>\n<p><small><i>?<\/i><\/small><\/header>\n<article>\n<p>X lets loose his emotions on another raging, guitar-fueled ballad about depression. His songs about the feeling usually evoke numbness, but for this one, he sounds like he&#8217;s being swallowed by his emotions instead of indifference: &#8220;And every single year\/I&#8217;m drowning in my tears, I&#8217;m drowning in my tears again.&#8221;<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">10<\/span><\/p>\n<header>\n<h2>&#8220;Changes&#8221; (Featuring PnB Rock)<\/h2>\n<p><small><em>?<\/em><\/small><\/header>\n<article>\n<p>XXXTentacion and PnB Rock channel heartbreak over sentimental keys. The song is about as straightforward as it gets lyrically, but X and PnB\u2014as well as the dreamy piano\u2014sound great. The song has been certified two-times platinum since it dropped last year.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">9<\/span><\/p>\n<header>\n<h2>&#8220;Moonlight&#8221;<\/h2>\n<p><small><em>?<\/em><\/small><\/header>\n<article>\n<p>Animated and fun, &#8220;Moonlight&#8221; is one of the best songs from X&#8217;s <em>?<\/em> album. He flexes nice vocals and some free-associative bars over an eccentric beat with quirky synths. The video for the song was released four months after his death. It&#8217;s the last\u00a0music video\u00a0that he filmed.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">8<\/span><\/p>\n<header>\n<h2>&#8220;Hope&#8221;<\/h2>\n<p><small><em>?<\/em><\/small><\/header>\n<article>\n<p>For an artist that embodied despair, &#8220;Hope&#8221; is a refreshingly optimistic track from the rapper, who dedicated the song to survivors of\u00a0a February 2019 Parkland, Fla. school shooting. X&#8217;s usual suggestions that things aren&#8217;t okay still slide into the track, but the hook and his emotive bursts of singing\u2014more like cries\u2014manage to make the song feel like a cathartic release for someone who&#8217;s found a way to look toward a better future.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">7<\/span><\/p>\n<header>\n<h2>&#8220;R.I.P. Roach&#8221; (With Ski Mask The Slump God)<\/h2>\n<p><small><em>Drown in Designer<\/em><\/small><\/header>\n<article>\n<p>Originally released on his frequent collaborator Ski Mask The Slump God&#8217;s <em>Drown in Designer<\/em> mixtape in 2016, &#8220;R.I.P. Roach&#8221; marries X&#8217;s screamo leanings and knack for mayhem with Ski Mask&#8217;s laidback style and quirky punchlines.\u00a0A screaming X evokes mania and danger with his opening bars: &#8220;Cocaine for my breakfast, hold that pistol ambidextrous.&#8221;<\/p>\n<p>Meanwhile, Ski\u00a0goes completely off topic, name-dropping Kujo and flaunting his jewelry. It sounds like it shouldn&#8217;t go together with X&#8217;s verse, but it works because it feels like a reprieve from X&#8217;s\u00a0rage.<\/p>\n<p>&#8220;R.I.P. Roach&#8221;\u00a0is the peak of X and Ski Mask&#8217;s collabs, as the two had a falling out in 2017 and appeared to have stopped recording new material together. The two performed the track at 2018 Rolling Loud Miami about a month before X was shot and killed.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">6<\/span><\/p>\n<header>\n<h2>&#8220;Infinity (888)&#8221; (Featuring Joey Bada$$)<\/h2>\n<p><small><em>?<\/em><\/small><\/header>\n<article>\n<p>Whether it was folk, EDM, boom-bap or anything in between, X could do it all. &#8220;Infinity (888)&#8221; is his best attempt at peak East Coast hip-hop. For the track, he tapped Brooklyn&#8217;s own Joey Bada$$, who knows his way around a jazzy beat. Feeding off an energetic verse from Joey, X cuts through the saxophone with an unpredictable rhyme scheme. X had previously dabbled in boom-bap (&#8220;Slipknot&#8221;), but &#8220;Infinity (888)&#8221; is an example of one of his most technically sound verses\u2014and Bada$$ is a perfect partner.\u00a0Between this and &#8220;King&#8217;s Dead\u00a0(Freestyle)&#8221; (omitted from consideration here as it&#8217;s not an original song), you get the sense that the X joint project Joey spoke on would&#8217;ve been fire.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">5<\/span><\/p>\n<header>\n<h2>&#8220;Everybody Dies in Their Nightmares&#8221;<\/h2>\n<p><small><em>17<\/em><\/small><\/header>\n<article>\n<p>Another Potsu-produced gem, &#8220;Everybody Dies in Their Nightmares&#8221; finds X once again reflecting on his suicidal thoughts. This time, he spits rapid-fire bars that mirror racing thoughts on an instrumental that feels like a quiet space to think them. X&#8217;s monotonous delivery underscores his underlying acceptance of his own doom. &#8220;Tired of feelin&#8217; like I&#8217;m trapped in my damn mind\/Tired of feelin&#8217; like I&#8217;m wrapped in a damn lie\/Tired of feelin&#8217; like my life is a damn game\/Nigga really wanna die in the night time,&#8221; X raps.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">4<\/span><\/p>\n<header>\n<h2>&#8220;Fuck Love&#8221; (Featuring Trippie Redd)<\/h2>\n<p><small><em>17<\/em><\/small><\/header>\n<article>\n<p>It was only a matter of time before XXXTentacion and Trippie Redd\u2014two leaders of hip-hop&#8217;s emo scene\u2014linked up. And when they did, it was every bit as dope as\u00a0fans expected. For &#8220;Fuck Love,&#8221; the two belt out pained lyrics about heartbreak over an anthemic alt-R&amp;B track with some of the most replay value in X&#8217;s catalog.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">3<\/span><\/p>\n<header>\n<h2>&#8220;Jocelyn Flores&#8221; <\/h2>\n<p><small><em>17<\/em><\/small><\/header>\n<article>\n<p>Fueled by melancholic guitar licks and XXXTentacion\u2019s sullen vocals, \u201cJocelyn Flores\u201d is the rapper&#8217;s lullaby to the lonely. The beat is a tweaked version of Potsu&#8217;s &#8220;I&#8217;m Closing My Eyes,&#8221; a song with whisper-like Shiloh vocals that evoke longing as they melt into subdued percussion. The song, which is named after X&#8217;s friend who committed suicide just hours after spending time with the rapper in May 2017, vacillates between what X wishes could be and what he knows is the reality of a life marred by trauma. The split is signified by the rapper&#8217;s switch from singing to rapping. After crooning on the forlorn beat, X abruptly cuts into the track with a peek into his own suicidal thoughts: \u201cI\u2019m in pain, wanna put 10 shots in my brain, trippin&#8217; &#8217;bout some things can&#8217;t change,&#8221; he raps.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">2<\/span><\/p>\n<header>\n<h2>&#8220;Look at Me!&#8221; <\/h2>\n<p><small>Revenge<\/small><\/header>\n<article>\n<p>With its haunting Mala sample, warped bass and some twitchy rapping, XXXTentacion&#8217;s breakout single &#8220;Look at Me!&#8221; demands you to follow its instructional title. The Ronny J and Jimmy Duval-produced song, which was released at the end of 2015, finds X spitting a pulsating verse with spastic vocal inflections that mirror the blown-out instrumental he&#8217;s rapping over. He combines that panicky, anxiety-laden delivery with lyrics that manage to be nearly as funny as they are gruesome\u2014at one point, X compares himself to <em>High School Musical<\/em> star Corbin Bleu.<\/p>\n<p>It&#8217;s not his most commercially successful song, but it&#8217;s the one that put him on the path to stardom. Aiding its rise in popularity was a belief that Drake had used his flow for his own 2016 track, &#8220;KMT.&#8221; Between 2015 and 2017, X was a little-known alternative rapper resting below the surface of South Florida&#8217;s SoundCloud revolution. A little over a year after dropping &#8220;Look at Me!&#8221; he had the attention he&#8217;d asked for.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"list-post-leftright\">\n<div class=\"list-post-right\"><span class=\"count\">1<\/span><\/p>\n<header>\n<h2>&#8220;Sad!&#8221;<\/h2>\n<p><small><em>?<\/em><\/small><\/header>\n<article>\n<p>X&#8217;s scattered style and frenetic recording habits makes his discography\u00a0feel like an electric, but open-ended collection of sketches meant to be taken as they were; much of its shine was its lack of polish. Released just months before his passing, &#8220;Sad!&#8221; is a song that finds X working within a neater, more conventional song structure for an effort that ultimately crystallized his potential for commercial success.<\/p>\n<p>On its surface, &#8220;Sad!&#8221; is a synthy, emo-teen pop hit fueled by X&#8217;s lithe vocals and some casually depressing lyrics. Beneath that, though, you hear a mix of\u00a0insecurity and\u2014knowing or unknowing\u2014hints of an abusive relationship. While troubling\u2014he suggests he&#8217;ll kill himself if his partner decides to leave him\u2014the song meshes pop sensibilities with damaged logic and emotional honesty in a seamless manner with a smooth vocal style that could have propelled him to Billboard chart dominance.<\/p>\n<p>While the song had been a huge success before he passed, it reached a new level after his death, breaking <a href=\"https:\/\/www.xxlmag.com\/news\/2018\/06\/xxxtentacion-sad-breaks-taylor-swift-single-day-streaming-spotify-record\/\">Taylor Swift&#8217;s single-day Spotify streaming record <\/a>and landing at <a href=\"https:\/\/www.xxlmag.com\/news\/2018\/06\/xxxtentacions-sad-billboard-no-1\/\">No. 1 on the Billboard Hot 100<\/a>.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<\/li>\n<\/ul>\n<div class=\"list-post-footer\">\n<div class=\"list-post-footer-content\">\n<p><h2 class=\"photogallery-title\">See the Origin Stories of Names of Rappers From the SoundCloud Era<\/h2>\n<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><script src=\"https:\/\/www.xxlmag.com\/rest\/carbon\/api\/scripts.js?mver=540&#038;gver=6&#038;bid=812&#038;urls[]=https%3A%2F%2Fbtloader.com%2Ftag%3Fo%3D5642230212591616%26upapi%3Dtrue&#038;urls[]=https%3A%2F%2Fcdn.p-n.io%2Fpushly-sdk.min.js%3Fdomain_key%3DLT1Yn2pW9B5QzH6n4H2YlkQyVEfXVOOu82lt&#038;urls[]=https%3A%2F%2Ftownsquare.media%2Fpublic%2Fresources%2Fjs%2Fpubcid.min.js&#038;urls[]=https%3A%2F%2Fplatform.twitter.com%2Fwidgets.js&#038;urls[]=https%3A%2F%2Fapis.google.com%2Fjs%2Fplatform.js&#038;urls[]=https%3A%2F%2Fconnect.facebook.net%2Fen_US%2Fsdk.js&#038;urls[]=https%3A%2F%2Fassets.pinterest.com%2Fjs%2Fpinit.js&#038;urls[]=https%3A%2F%2Fpub.doubleverify.com%2Fdvtag%2F29287203%2FDV1106009%2Fpub.js\" type=\"text\/javascript\" async defer data-osano=\"ESSENTIAL\"><\/script><br \/>\n<br \/><script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6606220950177433\"\r\n     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certified<\/p>\n","protected":false},"author":1,"featured_media":171,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The 30 Best XXXTentacion Songs, Ranked - Hip Hop News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/site.itshrt.com\/hiphopmagizine\/the-30-best-xxxtentacion-songs-ranked\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The 30 Best XXXTentacion Songs, Ranked - Hip Hop News\" \/>\n<meta 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